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by Antonello Oliva
by Antonello Oliva

Elementalea comes from Elementali, Paracelsus' s way to call the "nature spiritual beings" and it is within this shapeless and fleeting orbit that Mariani's musical sphere revolves.

by Antonello Oliva

Beautiful record of piano solo, composed and performed by an excellent pianist, as well excellent is the audio recording.

by Antonello Oliva

Of Simone's discography, widely available both in shelf and on the web, we would not exclude any title, but in this occasion we want to mention one in particular.

by Antonello Oliva

Speaking of a masterpiece about someone that has written songs like Senza fine, Il cielo in una stanza, Sassi, La gatta, Sapore di sale, Che cosa c’è, would be in this case out of place…

by Antonello Oliva

I personally think that the critics should have the job of divulgate quality. This action, if carried out correctly, represents something more than mere information.

by Antonello Oliva

Terra is one of the best jazz records that have been issued in Italy, at least in the last ten years...

by Antonello Oliva

A record where jazz, African and Caribbean music are blended together in a closely space succession of rhythmic and melodic inventions, in an original blues, always very fascinating and refined. 

by Antonello Oliva

“Let me tell you that I have never met before a voice so beautiful, fitted with everything a jazz voice must have and, therefore, a so talented jazz singer …”

by Antonello Oliva

The Legendary 1956 Session was included in a series of studio recordings, arranged by the producer Norman Granz, with the purpose of gathering up those big of jazz that seldom or never had played together.

by Antonello Oliva

Total music: the documented encounter between the Hadouk Trio of Didier Malherbe, Steve Shehan and Loy Ehrlich, and the amazing Mauritanian singer Malouma Mint Meidah.

by Antonello Oliva

Till very late in life, Burnside used to work as a peasant, but at the beginning of the 90’s he literally shattered and desecrated the ultra traditional structure of the blues. 

by Antonello Oliva

Ginger Baker, Bill Frisell e Charlie Haden: the three of them, helped by an excellent sound reprise, show off and give an amazing outcome.

by Antonello Oliva

It’s hard to understand what pushed the Japanese percussionist to choose the musicians, but most probably they were the best guys on the market. Go is unanimously considered one of the greatest rock masterpieces.

by Antonello Oliva

Born from the electric turning point of Wayne Shorter and Miles Davis, who have merged some influences and rock veins into the traditional jazz, fusion has been like a comet in the musical universe.

by Antonello Oliva

Even if it’s only a selection, the overall work with its complete repertory and interpretative suavity, reaches the uppermost historical and artistic value and has to be considered fundamental and unique in its genre.

by Antonello Oliva

Between 1969 and 1970 came out, one after the other, two LPs of a (certain) Santana...

by Antonello Oliva

An awesome album of blues music properly produced by Roy Rogers and supported, when released in 1989, by a videoclip aired on the major international TV music channels.

by Antonello Oliva

Published in 1996, the rather mysterious Stick & Stones was at once very hard to find.

by Antonello Oliva

Artist unique and for certain aspects controversial and misleading, Rod Stewart has often given a reading of himself easy and exhaustive.

by Antonello Oliva

One of the best albums in the Italian jazz panorama – and not only – of the year.

by Antonello Oliva

A guitar that you can hear only in the big universal book of masterpieces.

by Antonello Oliva

Chet Baker and Bill Evans ventured into a recording studio together on rare occasions...

by Antonello Oliva

After this live performance, Take Five became one the most listened jazz track ever.

by Antonello Oliva

Among all the band’s albums, L'Anima du Munnu (The Soul of the World) shows the highest expressiveness, creativity and technical ability of the Taberna.

 
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