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by Giuseppe Castelli

Maybe the Top Audio Show in Milan will be cancelled or postponed; for sure it has to "reinvent itself", as always does the Hi-Fi enthusiast: the only one who "will never die".

by Giuseppe Castelli

Every audiophile knows and appreciates the achievements of DaVinciAudio Labs.

And everybody will regret from today its founder and promoter, Peter Brem.

by Giuseppe Castelli

Franco Serblin, the unforgettable founder of Sonus Faber, passed away. He will surely be missed. And also his achievements that have marked the history of the modern Italian Hi-Fi worldwide.

by Roberto Rocchi

Roberto and Silvia's tour de force goings around the booths of the biggest western show dedicated to consumer electronics, Hi-Fi included.

by Ulisse Pisoni

With product lines from top entry level to high-end, Gold Note designs everything by itself, from the screw to the package, for a catalogue that goes from the cartridges to the loudspeakers. Let's discover together a real Italian excellence.

by Roberto Rocchi

T.H.E. Show is a strategic commercial decision by who wants to keep in contact "out-and-out" with the enthusiasts of the real High-End.

by Angelo N. M. Recchia-Luciani

In the previous reviews we said that our passion does not pertain to a reproduction of the "real" musical event. The so-called "reproduced" music refers to a representation instead.

by Bill Gao

After having listened to numberless equipments, I have realized that the music is the only thing that counts, regardless of the means to listen to it.

by Luca Buti

I like "risky writing", with the presumption of moving who reads and considering the predictability of an article a failure for the writer himself. Risky writing means to go against the fallacies and the hearsay, which are inertias hard to budge.

by Roberto Rocchi

Verdi is the musical interpreter of the Italian Risorgimento. No, Verdi is not a revolutionary, at least as we could intend him in the current sense of the term. Verdi pertains to Risorgimento and to Romanticism.

by Angelo N. M. Recchia-Luciani

Our best systems are Transcendental Systems. They are capable of involving to the point that it is impossible, also for the most enthusiastic lunatic, to linger on the improvements and on the fine tuning a system always needs.

by Roberto Rocchi

ReMusic has not lost the opportunity of knowing this label more in depth.

by Giuseppe Castelli

The Sternen Hotel, near Bern in Switzerland, has an unexpected collection of mechanical and automatic musical instruments that are not only well-functioning but also listenable during the guided visits.

by Giuseppe Castelli

The LP covers have always been “bigger” than necessary. We are talking about the perceived size, not just the material size. They expressed something more. They said who you were.

by Paolo Di Marcoberardino

An impartial advice. Listen to live music when you are still alive.

 

by Roberto Rocchi

I want to draw the enthusiasts’ attention on a type of devices which, unfortunately, are not widespread among the most demanding audiophiles as they should be.

by Giuseppe Castelli

The improvement at the listening and the psycho-emotional well-being I felt, have push me to deepen the Schumann Resonance topic, that I consider interesting far beyond our audiophile ambitions.

by Giuseppe Castelli

The brand with a violin and a harp in its logo, which pays homage to Leonardo’s achievements, sets itself the target of great talent and striving simplicity: ambitious in the project, but linear and essential in the carrying out.

by Giuseppe Castelli

Gone a year ago, Apple’s founder has bequeathed a huge fortune that also all the audiophiles can share: it is time to make the most of it and go on.

by Roberto Borgonzoni

Discovered at last how to burn-in and make really dynamic the most famous isodynamic panels in the world: word of Roberto "DeTerminator" Borgonzoni.

by Roberto Borgonzoni

The mechanical limit of the worldwide most famous isodynamic panel has always been a big flaw that has hampered the diffusion of this speaker, but nothing resists to our Roberto Borgonzoni...

by Giuseppe Castelli

Extreme Audio Leonardo Speakers interview. Hand over to the inventors. The Leonardo Bros., Aldo Zaninello and Daniele Coen, the designers of the Leonardo Speakers, speak openly of their creations: ribbon loudspeakers capable of 20 real Hz.

by Giuseppe Castelli

An unconventional tonearm indeed, Dr. Hedgebeth's Sonority Tonearm worths a review, the first for a world premiere.

by Giuseppe Castelli

Digital Media Players: their coming from the computer world seems to hamper the “old style” audiophile. Let’s see how Max Research Interface can be more user friendly.

by Ulisse Pisoni

It is not always true that by changing a component with a “better one” the listening will improve. Sometimes a downgrade is more profitable than an upgrade. Even if the average enthusiast does not put up with it.

by Giuseppe Castelli

A new section that treats and defines completely our method of testing and reviewing the devices.

by Giuseppe Castelli

I dare any manufacturer or distributor of good quality devices to provide me – and to provide us – with their best apparatus. Word-of managing editor.

by Alfredo Di Pietro

Notwithstanding many enthusiasts will consider the means of reproduction as “iron pieces” or agglomerates of electronic components, in my opinion they have ever been in strict union with the emotions I received from music; a so strong symbiosis that very often I couldn’t identify the limit between the two.

by Massimo Riserbo

Tonearm and cartridge are made for each other; let’s find out how they can scientifically match.

by Giuseppe Castelli

The best rooms of the biggest European sound kermess of this year. Wideband and multi-way, multinational brands and musical ateliers, from the high efficiency to the more muscular amplifications. Live here again the strongest emotions felt by us of ReMusic.

by Samuele Sforza

I have always been very fond of music and of any device to reproduce it. After many tests with the electronic gears of the main brands, I have decided to switch to DIY.

by Angelo N. M. Recchia-Luciani

In a famous aphorism, Friedrich Nietzsche states that “without music, life would be an error”. I truly believe in that.

by Antonello Oliva

I personally think that the critics should have the job of divulgate quality. This action, if carried out correctly, represents something more than mere information.

by Gianluca Polidoro

Electronic passions. I got fond of this world when I was a child and I realized an old radio for my Grandmother, custom model. It was something, considering my age!

by Mauro Simolo

I was thirteen and I started to listen to the 45 rpm stolen to my brother with a tube Lesa turntable. The world at that time was less hasty and I felt like listening.

by Matteo Noli

IT expert and ERP consultant, but also fond of live events: ReMusic welcomes and introduces a new collaborator with his expertise in the digital and its mysteries.

by Silvia De Monte

Which is the criterion that measures the likelihood a partner or wife will approve the purchase of expensive electronics products and their permanent entrance in the listening room? It’s the WAF, Wife Acceptance Factor and only a Lady can speak of that…

by Roberto Borgonzoni

You waver over one of the most paradoxical and unconventional systems existing today. So far, a champion of the Esoteric Masterpieces.

by Roberto Rocchi

My first collaboration with the magazine Suono dates back to 1992, then I wrote for Fedeltà del Suono and now it’s time for my own magazine, ReMusic.

by Roberto Borgonzoni

The manufacture of the LuxSapienti system is aimed, as I have supposed, exclusively to the sound outcome and completely out of the conventional standards.

by Roberto Borgonzoni

Esiste solo un suono, quello reale. Qualsiasi cosa si allontani da questo è solo un surrogato, un'idea soggettiva che non rispetta la natura delle cose. Cerco di ascoltare, senza orecchie né testa ma con tutto me stesso, donando al suono la mia anima.

by Roberto Borgonzoni

Music, in whatever form, is not only an amusement mean, but rather the vehicle by which men live, express and feel their own emotions.

by Giuseppe Castelli

A new series of reviews about the listening, description and fruition of the so-called "extreme" systems: you can love or hate them, but you cannot sit by.

by Giuseppe Trotto

I tend to privilege the analog, but not prejudicially: the fact is that only the vinyl can convey particular vibrations. Nothing compares favourably with it.

by Giuseppe Castelli

A sparkle in the darkness: what illuminates for a second the experience of someone who thinks he has listened to everything but is still ready to marvel and get involved. For the device, the loudspeaker or the component that has make us starting on the listening chair. This is Spark in the Dark, the first ReMusic Award.

by Alberto Pepe

Let’s display what extent of inaccuracy can reach an Analog-to-Digital or a Digital-to-Analog converter. And how the digital systems can have a comparison with the analog systems.

by Alberto Pepe

This is a technical piece: but you won't find a formula. We will try to demonstrate instead, in a visual way, up to which level of imprecision can an analog-to-digital or a digital-to-analog converter get to. 

by Roberto Rocchi

The truth of the matter is that the senses do exist and this is a real trouble. Especially as far as the audiophiles are concerned.

by Giuseppe Castelli

ReMusic is proud to publish an exclusive interview to Akira Nagai, President of Bakoon Products Co., Ltd. Japan, the man who developed the SATRI Circuit 25 years ago.

by Claudio Piovesana

During the realisation of a recent documentary about Venice and its relationship with the music throughout the centuries, I came across a very particular case of audio recording. 

by Giuseppe Castelli

Yes, I must admit it, I was intimidated. One of the few hi-fi woman entrepreneurs, Gabi van der Kleij, Mrs. Crystal Cable, was waiting for me. How could I absorb the impact of one of the biggest critique, public and commercial success of the last years?

by Angelo N. M. Recchia-Luciani

The project of any machine, for example a machine to record or reproduce music, begins with the definition of the planning aims, that often reflect the personality of the designers.

by Michael Mardis

Understanding gain structure can help you get the cleanest signal possible out of your system and avoid some nasty things.

by Angelo N. M. Recchia-Luciani

All the machines are for us, they express us, we think about them, we make them just to go where our body cannot go, but our mind does.

by Roberto Rocchi

I’m an empirical immune carrier of optimism and thanks to the dependency on sensations and feelings, as well as Diogenes, I would be led to pursue the conciliation between man and natural world in the conviction that every man is the master of his own destiny.

by Massimo Riserbo

This “collective signature” can protect the anonymity of consummate technicians and professionals of the sector, as well as of enthusiasts and aspiring talented authors.

by Fabio Barbato

The approach to music entails several and at time dissimilar "points of view" among the people involved.

by Giuseppe Castelli

Gee, ReMusic comes out and I haven’t got a thing to wear! At least I could find a nice shot where I don’t look too papery… Here it is! That’s fine. I seem decently mind-expanding and wild-eyed.

by Roberto Rocchi

I’ve always loved to challenge myself and this is going to happen again. Thankfully, I gain full support from my patient wife, who understands and is behind me all the way in such a lucid foolishness… inside foolishness. To be an audiophile means to be a bit fool indeed. But, if you think to bring into life a website made by passionates and dedicated to all the passionates in the world, uh… well, this sounds like being crazy for real!